These are the most recent updates for Spectrasonics Omnisphere 2.6.4c, Keyscape 1.2.0c & Trilian 1.5.0d including Patched files for Mac & Windows. Notes: Since Spectrasonics changed their Authorization method a bit, it’s not possible anymore to patch the plugins using R2R’s keygen.
• Omnisphere2 Software 2.6.4d – Soundsources 2.6.1c – Patches 2.6.3c
• Keyscape Software 1.2.1d – Soundsources 1.0.3c – Patches 1.3.2d
• Trilian Software 1.5.0e – Soundsources 1.0.1 – Patches 1.5.0f
• Stylus RMX Software 1.9.9c2
• Bob Moog Tribute Library Patches 1.4e
Step 1
Run this release’s setup.exe as an administrator. If this is an update, make sure the path to the plugin is the same as where your old Spectrasonics plugins are stored (older versions must be overwritten). Also, if this is an update, make sure the boxes (STEAM path and SAGE path are where libraries / samples and patches are stored) are unchecked. If your STEAM and SAGE files are located in C: ProgramData Spectrasonics, also make sure the boxes are unchecked.
If you’ve installed Keyscape, Omnisphere, Trilian, and Stylus RMX before, you can probably skip steps 2 and 3 and go to step 4. Before you do this, run the applications to check if they are activated. If not, skip to steps 2 and 3.
Step 2: Activate Keyscape, Omnisphere and Trilian
Run Keygen for Keyscape, Omnisphere and Trilian Spectrasonics_2048_KeyGen.exe
Since Spectrasonics changed the activation method, the key generator no longer works as expected, but there is a workaround. Launch the app you want to activate (Keyscape, Omnisphere, or Trilian). The activation screen will open. Now click the blue link (click here) at the bottom of the activation screen:
Step 3. Activate Stylus RMX
Launch Trillian KeyGen
BTW: the torrent download says it’s Trilian KeyGen, but you can use it to activate Stylus RMX and NOT Trilian or Omnisphere.
All you need to do is launch the Stylus RMX and activate it with this keygen.
Step 4. Updates of sound sources and patches.
Run the included updates in THIS ORDER:
• Omnisphere Soundsource Library Update v2.6.1c
• Omnisphere Patch Library Update 2.6.3c
• Bob Moog Tribute Patch Library Update v1.4e
• Keyscape Soundsource Library Update v1.0.3c
• Keyscape Patch Library Update v1.3.1c
• Trilian Soundsource Library Update v1.0.1
• Trilian Patch Library Update v1.5.0f
Step 5: Final Verification
The history of electronic musical instruments goes all the way back to the 1919. However, it’s fascinating to even think of how far we have come and the significant developments and innovations have occurred since then. It really is fascinating to see the musicians who once used to despise all things electronic, today they are getting all creative with the conveniences of electronics. This is the time to get a better understanding of the wide variety of synths currently available and where they came from. Traditionalists used to argue that there was nothing musical about the electronic instruments back then and believed that imitating acoustic instruments would put the real musicians out of the business.
But look at now; today, synthesizers are used in all parts of the music world, be it solo performances, recordings, rock bands, or experimental music. Synthesizers have evolved dramatically since the 1960s, coming all the way from the early modular analog systems to the present-day software synthesizers. One such synthesizer which is a powerhouse of a synth and an extremely versatile bundle of sounds based on sample-based synths. Omnisphere is an award-winning, flagship synthesizer of Spectrasonics – a leading developer of world class software virtual instruments based out of Los Angeles, California. We look at the two iterations of the world’s best software synth – Omnisphere 1 and Omnisphere 2 – and try to understand the differences between the two.
Omnisphere is Spectrasonics’ flagship virtual instrument and an extremely powerful software synthesizer based on sample-based hybrid synths that use sampled waveforms instead of, or in addition to, fundamental waveforms to create sounds. It combines a wide variety of hybrid real-time synthesis techniques with a vast library of over 40 GB of samples and inspiring patches. This award-winning software synth brings together a multitude of synthesis together to create one amazing virtual instrument of exceptional power and versatility. It offers a host of hybrid synthesis and control features that bridge the physical gap between software and hardware, allowing users to craft new sounds and to play back the presets with a minimum of fuss. It is an industry standard software synth that that transforms your creative ideas into something extraordinary.
Omnisphere 2 is the second iteration of the world’s best hybrid software synth and a great improvement upon its predecessor. Almost 7 years after its initial release, Spectrasonics hit a home run again with the Omnisphere 2 which comes with a host of additional sound sources and a ton of control features, including granular synthesis for amazing transformation, wavetable synthesis, polyphonic timbre shifting/crushing, an improved Flex-Mod modulation system, a high-resolution resizable interface, and much more. The appearance remains the same, except the high resolution widened interface. With a staggering audio library of over 14,000 sounds and sound sources, it makes up for all your music production endeavors.
– The next generation of Spectrasonics’ flagship software synth is a significant upgrade over its predecessor that added some noticeable improvements over the Omnisphere 1, such as the new and updated hardware library. The Omnisphere 2 includes a new and updated sound library containing over 10,000 new sounds and sound sources for all types of music production works. The Omnisphere 2.6 has a staggering hardware library of around 1,600 new patches created by Eric Persing and the software development team of Spectrasonics.
– One of the major improvements of the Omnisphere 2 over its first generation is the new, revamped high-resolution user interface with some significant UI innovations. The basic layout remains the same with the same blue interface, but slightly wider with some subtle improvements, such as the new redesigned browser that works like a treat. The redesigned graphical user interface now supports HiDPI displays with support for different screen resolutions.
– Another significant upgrade is the Omnisphere’s popular Arpeggiator which has been greatly enhanced in the new second iteration of Omnisphere. The new Arpeggiator now packs a ton of new and updated tools and exciting new features, and a new presets library. The new version has added eight additional pattern modes and play modes, which include Chord, Up, Down, Up and Down, Join, among others. There are 11 modes available in the first generation Omnisphere that help determine the way it outputs nodes.
– The most important update to the already powerful Omnisphere 2 is the hardware integration which allows integration with your favorite hardware synths. Using your favorite hardware synth as a controller, you can use it to interface with Omnisphere. It’s not some basic MIDI-Learn we’re talking about; in fact, there are dedicated profiles and each profile is primed for that specific synthesizer – including models from Roland, Moog, Sequential, Korg, Yamaha, and more. This unique feature taps into your creative imaginations by leveraging the expanded capabilities available in Omnisphere.
In a nutshell, the second iteration of the world’s best hybrid software synth is a major improvement over its predecessor and packs a ton of exciting new features and tools, including the Hardware Synth Integration feature which allows integration with your favorite hardware synths. With this, Omnisphere became the world’s first hybrid software synth to offer a hardware synth integration feature. Besides, Omnisphere is an award-winning, flagship synthesizer of Spectrasonics that offers a host of hybrid synthesis and control features and a vast library of thousands of samples and inspiring patches.